‘Othello’ Review — David Harewood and Toby Jones Deliver Powerful Performances
Shakespeare’s tragedy Othello, directed by Tom Morris, is now running at the Theatre Royal Haymarket until 17 January 2026. The production revisits the classic story of jealousy, deception, and downfall through a new, mature interpretation.
David Harewood’s Returning Performance
Nearly thirty years have passed since David Harewood first portrayed Othello at the National Theatre, marking a landmark moment as the first Black actor in that role there. Now, he returns as the Moorish general once again, confronting the corrosive lies of his ensign, Iago.
Harewood recalls his earlier performance as “balling and screaming” with rage, channeling the unrestrained fury of a younger man.
In this refined West End production, his approach begins with calm confidence and a sense of earned authority. Yet as Iago’s plots close in, Harewood skillfully transforms into a man consumed by fury and confusion, his reason blurred by manipulation.
Toby Jones as the Deceptive Iago
Toby Jones provides a darkly compelling counterpart, embodying Iago’s cunning malice and psychological mastery. Together, the two actors create an engrossing dynamic that drives the emotional core of the play.
Harewood has a wonderfully wicked scene partner in Toby Jones.
Production Overview
Tom Morris’s direction balances intimacy and grandeur, allowing the themes of trust and betrayal to resonate deeply on stage. The result is a lucid, gripping retelling of one of Shakespeare’s most enduring tragedies.
Author’s Summary
This production of Othello at the Theatre Royal Haymarket offers a richly layered portrayal of manipulation and remorse, led by commanding performances from David Harewood and Toby Jones.