Even the most celebrated filmmakers have less stellar projects, and Martin Scorsese is no exception. Despite his legendary status, some of his works naturally fall short of the towering standards set by his masterpieces, including Mean Streets, Taxi Driver, Raging Bull, The King of Comedy, Goodfellas, and Casino.
Compared to those cinematic landmarks, movies such as Gangs of New York, The Color of Money, Cape Fear, and The Aviator might not reach the same heights for every viewer, though they remain impressive achievements by any measure. Even Scorsese’s average effort often surpasses the best that many others in Hollywood can produce.
Comedy icon and EGOT winner Mel Brooks, known for The Producers and Blazing Saddles, has his own view on which Scorsese film ranks last. While admitting the director has never created anything truly bad, Brooks still pinpointed a project he considered Scorsese’s weakest.
“I’m Mel Brooks,” he said in an interview with The AV Club, reflecting humorously that he might have earned two consecutive Emmys for his guest role on Mad About You simply because of who he is.
Even for a genius like Scorsese, creative peaks come with occasional dips—and as Brooks’ tongue-in-cheek remarks show, even a lesser Scorsese film still shines far above most in the industry.
Author’s Summary: Mel Brooks humorously pointed out what he sees as Martin Scorsese’s weakest film, noting that even Scorsese’s “worst” work far exceeds the average director’s best efforts.