Madama Butterfly Review: Celine Byrne as Cio-Cio-San
In Irish National Opera’s production of Puccini’s Madama Butterfly, Celine Byrne portrays Cio-Cio-San as confident and progressive, departing from the usual depiction of naivety and vulnerability.
Set Design and Atmosphere
The brief, energetic overture leads into a casual discussion about traditional Japanese homes and their sliding partitions. Designer Kat Heath transforms this minor detail into massive movable panels that dominate the set throughout the opera.
- The large panels are striking and imposing, fitting the expansive Bord Gáis Energy Theatre stage.
- Their lateral and horizontal movement creates both intimate and exaggerated spaces.
- Neutral colors allow lighting designer Jake Wiltshire to shape mood and time of day effectively.
- The panels neither distract nor overwhelm, enabling surprising character reveals or disappearances.
- They sometimes simulate a camera lens effect, zooming in and out.
This cinematic element adds emotional immediacy, skillfully employed by director Daisy Evans.
The unique design and direction offer fresh energy and visual depth to this classic opera.
Author’s summary: Celine Byrne’s assured performance combined with innovative set design and cinematic direction revitalizes Irish National Opera’s Madama Butterfly, creating a visually and emotionally compelling experience.